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The arrangement of the parts is of even greater importance, because much of the effectiveness of the presentation will depend upon a logical development of the thought. In the last analysis, good writing means clear thinking, and at no stage in the preparation of an article is clear thinking more necessary than in the planning of it.<br/></p><br/><p>Amateurs sometimes insist that it is easier to write without an outline than with one. It undoubtedly does take less time to dash off a special feature story than it does to think out all of the details and then write it. In nine cases out of ten, however, when a writer attempts to work out an article as he goes along, trusting that his ideas will arrange themselves, the result is far from a clear, logical, well-organized presentation of his subject. 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Rogelio Mosher

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Bernie

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Malorie

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Matleryacot

LINK LINK В школьном чате в Telegram одноклассник скинул ссылку на <a href=https://math-st.ru/>математика 9 класс</a>. Сказал, что там нормальные объяснения и всё по делу. Решил попробовать — и правда, намного лучше, чем просто гуглить. Теперь даже учитель спрашивает, откуда я так хорошо решаю.

Virgil

<p>Title: <br/>How To Read When You're Writing<br/></p><br/><p>Word Count:<br/>856<br/></p><br/><p>Summary:<br/>Many writers say it: "I don't read when I'm writing". They think it will contaminate their voice, that whatever style they're reading will somehow seep into their work and it really won't be theirs. That's only a problem if you're writing a 21st-century urban romance and last night's reading of Pride and Prejudice has you making your characters sound like they're in an English drawing room and not a Miami nightclub!<br/></p><a href="Link URL><img></a><br/><p>In fact, if you're not reading while you're working on yo...<br/></p><br/><br/><p>Keywords:<br/></p><br/><br/><br/><p>Article Body:<br/>Many writers say it: "I don't read when I'm writing". They think it will contaminate their voice, that whatever style they're reading will somehow seep into their work and it really won't be theirs. That's only a problem if you're writing a 21st-century urban romance and last night's reading of Pride and Prejudice has you making your characters sound like they're in an English drawing room and not a Miami nightclub!<br/></p><br/><p>In fact, if you're not reading while you're working on your book, you're missing out on the many ways you can learn from authors past and present who have dealt with the very same issues you're struggling with. I once heard that if a writer is stuck or has writer's block, it's because he or she hasn't done their homework, and for a writer homework is reading. But how do you know what to read and how to make use of it? Here are 4 easy tips to getting the most out of your reading.<br/></p><br/><p>Identify the Strategies/Techniques You're Using in Your Book<br/></p><br/><p>Take out your book's outline (or notes or whatever pages you have written so far) and highlight the writer's tools you are using. Now you may not see them as tools. For instance, your character is sitting in a car and she's having a memory of a car accident that happened when she was little and you tell the story of the accident. That's a flashback. Maybe you used internal dialogue, maybe you're telling your novel in the 2nd person voice or your whole book is historical fiction so getting the setting right is crucial. Once you've identified your main tools, ask yourself, "What tool do I want help with the most?" Then...<br/></p><br/><p>Find Books in Which the Author Has Used a Similar <a href="Link URL>Technique</a><br/></p><br/><p>Sometimes the right book will come to you automatically. Writing in the 2nd person voice? Then Jay Mcinerney's Bright Lights,  dewan Big City comes to mind. It's a great example of a strategy that's very tricky to pull off. I would definitely want to read it if I wanted to be as effective as he was with his novel. Great examples of historical fiction include The Known World by Edward P. Jones and anything by Toni Morrison. When I was learning how to use flashbacks effectively in my novel I re-read Pat Conroy's The Prince of Tides and  berita dunia The Mourner's Bench by Susan Dodd. Ideally as a writer you are reading extensively and the books that come to mind for you will be ones you have already enjoyed and know well. If you need a few ideas you can try referring to a compilation such as Book Lust by Nancy Pearl where you can find books listed and discussed by their characteristics.<br/></p><br/><p>What's the Best Way for You to Learn From What You're Reading?<br/></p><br/><p>Ask yourself this question to help you develop a way to work with what you're learning from the book you're reading. It may be a matter of taking a few notes on the types of words the author uses or the kinds of details he or she uses to create an effective scene setter. Or it could be more complicated. When I was learning about flashbacks, I was trying to figure out how long you could keep the reader in the past without losing the tension in the present day storyline.  If you have any issues about the place and how to use <a href="Link URL>berita dunia</a>, you can call us at our own site. So I took The Prince of Tides and did a rough outline of it, counting out how many chapters and how many pages Mr. Conroy devoted to his past and present day story lines. I also noted what the reader learned or what was revealed in each chapter so I could get a sense of how he paced the book. That's just what made sense to me--to create a visual that could help me grasp the whole book. What would help you best understand what a writer has done? This is important because it will help you with the last tip...<br/></p><br/><p>No Beating Yourself Up!<br/></p><br/><p>Reading is NOT helpful if you spend your time marveling at how good an author is and how you "could never do that." Focusing on reading critically and understanding the craft will keep you in the mindset of being a writer trying to learn from another writer. You'll soon see that reading the book of a great author is kind of like examining a designer gown. If you look closely you'll see the gown has seams just like any other dress--it's just that the stitches are smaller and the workmanship impeccable so the seams aren't as evident. As you read you too will see the workmanship behind the art and allow yourself the opportunity to improve your workmanship likewise. And while it's still possible you "could never do that", I can tell you for certain you will "never do that" if you don't practice and keep writing!<br/></p><br/><p>Š 2005 Sophfronia Scott<br/></p>

Natalie

<p>Title: <br/>Las Peliculas de Poquer Mas Recomendadas<br/></p><a href="Link URL><img></a><br/><p>Word Count:<br/>570<br/></p><br/><p>Summary:<br/>Aquí te presentamos una serie de las más recomendadas películas sobre póquer para que puedas disfrutar y aprender nuevas lecciones de los clásicos.<br/></p><br/><br/><p>Keywords:<br/>póquer,entretenimiento,películas,casinos,juegos,entertainment,movies,DVDs,leisure,poker,games,casino,gambling,casinos <br/></p><br/><br/><p>Article Body:<br/>Desde la época de oro del Oeste, jugar al Póquer ha siempre sido un juego popular en Hollywood. A pesar de que muchas de las películas de Hollywood que se localizan en póquer no son muy buenas, y a veces presentan al juego de una manera ridícula, mirar el juego desde la gran pantalla es muy divertido, especialmente si eres un jugador de Póquer.<br/></p><br/><p>Acá te presentamos las mejores películas que fueron producidas en Hollywood. Algunas son excelentes aparte de ser sobre el póquer, mientras que otras el juego es el tema principal de atracción. De todas maneras,  berita hari ini si eres fanático del póquer, disfrutaras mucho de mirarlas!<br/></p><br/><p>1) The Sting, dirigido por George Roy Hill, 1973:<br/>Esta película es menos a cerca del póquer y más a cerca el arte de manejar las car6tas pero te proveerá dos horas de diversión sofisticada. El ganador de los Premios Academia de 1973, presenta al joven Paul Newman como el mejor artista de todos quien conduce a Robert Redford al arte de los trucos de carta. El trabajo de David S. Warn es basado en historias de juegos reales.<br/></p><br/><p>2) The Cincinnati Kid, dirigida por Norman Jewison en 1965:<br/>Este clásico es conocido por su estremecedor mano final y la inolvidable frase: "Llega a lo que se trata, no? Hacer la movida equivocada en el lugar preciso." The Cincinnati Kid es a cerca de la batalla entre Steve Macqueen que es un joven jugador de póquer conocido por "The Kid", y el veterano apostador de póquer conocido por "The Man" actuado por Edward G. Robinson, durante la gran depresión en New Orleans.<br/></p><br/><p>Es una de las mejore películas de póquer que he visto en la gran pantalla.<br/><br/>1) California Split dirigida por Robert Altman en 1974:<br/>Puede que esta no sea una de las mejores películas de Altmans,  fitnes pero es una de las mejores representaciones de la vida de dos apostadores profesionales actuada por George Segal y Elliott Gould. La narrativa no es particularmente directa y el final no es exactamente feliz, pero si logra describir una experiencia autentica. También, los fanáticos de póquer trivial disfrutaran de aprender que el legendario jugador de Póquer Amarillo Slim actúa un papel pequeńo.<br/></p><br/><p>2) Rounders dirigida by John Dahl en 1998:<br/>No es claro si el éxito de la película empujo al boom del Póquer en el siglo 21 o la popularidad del póquer hizo Rounders un éxito total.  If you have any kind of concerns pertaining to where and how you can make use of <a href="Link URL>berita hari ini</a>, you could contact us at the page. De una manera u otra, Rounders es una de las mejores películas de <a href="Link URL>póquer</a> que ha habido en la pantalla. El tema de la película se basa en una maratón en la que Mat Damon y Edward Norton tratan de ganar dinero para pagar deudas de apuestas. EL campeón mundial de Póquer Johnny Chan también aparece en escena.<br/></p><br/><p>3) Maverick dirigida por Richard Donner en 1994:<br/>A pesar de que Maverick no es una película brillante en el ámbito del póquer, es una divertida y entretenida película par mirar. Te puede dar una idea básica de lo que era ser un jugador de póquer en el lejano oeste, con Mel Gibson como un maverick que trata de ganar suficiente dinero para el torneo del gran torneo final.<br/></p>
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