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<p>Title: <br/>To Ask Or Not To Ask - That Is The Success Question<br/></p><br/><p>Word Count:<br/>1201<br/></p><a href="Link URL><img src="Link URL\u0026ixlib=rb-4.1.0"></a><br/><p>Summary:<br/>Dreamers often fail to achieve their dreams because they keep second guessing what they are doing. They ask questions like: "Is this a waste of time?" "Will it work?" "Why are the results so poor?" and so on.<br/><br/></p><br/><p>As a result, they act half-heartedly and fail to finish what they have planned. They fail to discover whether their planned action would have worked or not. This article takes a look at whether questions are a help or a hindrance.<br/></p><br/><br/><p>Keywords:<br/>success,procrastination,questioning,count the cost,planning,achieving,dreams, goals,focus,results<br/></p><br/><br/><p>Article Body:<br/>Dreamers often fail to achieve their dreams because they keep second guessing what they are doing. They ask questions like: "Is this a waste of time?" "Will it work?" 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Their failure to recover from their losing position is almost certain. <br/></p><br/><p>Some people may have given up jogging because of the questions raised when one of the great jogging gurus died young. Why bother to jog when you can die early just like the majority who spend their leisure time watching TV? <br/></p><br/><p>No one doubts that many people have fallen ill because of their own actions such as eating too much of the wrong food or because of their inactions such as failing to go for a daily walk or workout.<br/></p><br/><p>But some of the fittest men and women have suddenly succumbed to disease and died young. Does this mean that we should give up eating in a healthy way and stop going for daily walks? I think not but some think yes.  In case you loved this post and you would like to receive more details about <a href="Link URL>ruangan</a> generously visit our web page. Why bother to live a healthy lifestyle when you may die young anyway? <br/></p><br/><p>When I started the martial arts, after watching the Kung Fu series which featured David Carradine as a Shaolin monk, questioning the teacher was not a good idea. <br/></p><br/><p>If you ventured the opinion that a certain move might not work, the teacher would demonstrate how well it worked and guess who they demonstrated on: the student who had had the cheek to question their methods!<br/></p><br/><p>A less dictatorial teacher would just laugh at the question and the majority of the class would laugh with him. I was always one of the keenest questioners until I learned the painful lesson that it was wiser to keep my questions to myself. <br/></p><br/><p>We need to realize that questions can often be an excuse for not getting on with the hard work of training and that as you train you will learn the answers for yourself without wasting the time of the whole class. <br/></p><br/><p>There is much then to be said for taking massive action with maximum effort and keeping any questions for later. You will get much better at whatever you are doing and will find you can answer many of your own questions. <br/></p><br/><p>Instead of second guessing your copy writing tutor, try following his or her suggestions and see what happens.  Instead of doubting your health adviser just do as they say and see how you feel after a few weeks. <br/></p><br/><p>On the other hand, some questions deserve an immediate answer and can lead to new and powerful developments. <br/></p><br/><p>In the martial arts world, people started to question whether some of the traditional techniques would work in a street fight situation.<br/></p><br/><p>I once asked a world renowned martial artist at a seminar in London why people would choose to put a lock on someone's arm by lying on their back with one of their legs dangerously close to their opponent's teeth. He and his associates laughed at my question but neither he nor  perhotelan they answered it. <br/></p><br/><p>I have since realized that I was right about the danger of getting bitten when using this lock. In addition, lying on your back in order to put on an arm lock is suicide in a street situation.<br/></p><br/><p>Even if you are not bitten in the leg, your arms and legs are tied up controlling your opponent and one of his friends or even a complete stranger could easily kick you in the head. You could also be run over by a car or bus! <br/></p><br/><p>Questions like the above and other questions like "Why train for hours to be able to kick someone in the head when it is so much easier to punch them instead?" have lead to the development of reality based self-defense systems which concentrate solely on what will work when you are faced by a psychopath who does not care about rules of engagement or whether you will live or  Amerikarambut die. <br/></p><br/><p>These systems make sense and could save the lives of those who do not have the time or determination to train for years in the more traditional systems. They could also save a lot of wasted time learning and practicing techniques that are impractical for the majority of people. <br/></p><br/><p>So then, questions do have value. <br/></p><br/><p>We are left with the question whether we should question what we are doing or not? The answer, as is often the case. is to compromise or reach a balance. <br/></p><br/><p>Questions have their uses but not when we are supposed to be taking action whether we have planned the action or are following the training of an instructor we respect. <br/></p><br/><p>Questions will still pop into our minds like: 'Is this really necessary?' 'Do we have to do this?" Save these questions up until you have completed the suggested actions and then you will be in a good position to have an informed answer.<br/></p><br/><p>Ask questions at the start of any project and after it is over or if it goes drastically wrong but, if at all possible, avoid questioning what you are doing while you are still in the process of doing it. <br/></p><br/><p>Last week, one of my students told me cheerfully that he had just been offered a job in the Royal Navy which would lead to exceptionally high engineering and diving qualifications. 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<p>Title: <br/>Busting Publishing's Biggest Myths<br/></p><br/><p>Word Count:<br/>1154<br/></p><br/><p>Summary:<br/>Rejection is never easy. But some <a href="Link URL>authors</a> can't separate themselves from their work, and  dewan take rejection letters very personally. I get many emails from disgruntled writers who can't get past their anger to figure out why their work was turned down in the first place. So before you spend hours sticking pins in your editor voodoo doll, see if you recognize yourself below....<br/></p><br/><br/><p>Keywords:<br/>write writers writing authors books publishing publish children's<br/></p><br/><br/><p>Article Body:<br/>Rejection is never easy. But some authors can't separate themselves from their work, and take rejection letters very personally. I get many emails from disgruntled writers who can't get past their anger to figure out why their work was turned down in the first place. So before you spend hours sticking pins in your editor voodoo doll, see if you recognize yourself below:<br/></p><br/><p>The complaint: "Editors practice age discrimination. I'm over 50 and editors believe only young authors can write for children."<br/></p><br/><p>The truth: Editors are interested in finding good books, period. It doesn't matter how old the author is. Take a look at the lists of award winners (ask your librarian, or do an Internet search for Caldecott or Newbery Awards) and note the ages of the authors. Many didn't start writing until their kids were in school full time, or took up writing as a second career. Editors also know that the best stories come from years of life experience, and older writers have more to draw from. Yes, occasionally a book written by a teenager will make the news, but more often than not it's the novelty of the author's age that gets the publicity, not the quality of the writing. And why does the editor know your age in the first place? There's no reason to mention it in your cover or query letter, unless it has direct bearing on the story. If you're writing historical fiction and you actually lived through the events in the plot, or your nonfiction book is based on years of study in the subject, then your age is a plus.<br/></p><br/><p>The complaint: "I'm a man, and editors think only women can write children's books."<br/></p><br/><p>The truth: Sorry guys, but this one's a little ridiculous. Again, look at that list of award winners. Men are well-represented. Glance through the names of editors in Children's Writer's & Illustrator's Market published by Writer's Digest Books. Lots of men there too. The only time your gender might be an issue is with the readers themselves. For example, teenage boys might not buy a science fiction/adventure story written by a woman, or middle grade girls may think a man can't possibly pen a series featuring four adolescent girls at summer camp. They're wrong, but you can always use your first initial instead of your name to fool your audience.<br/></p><br/><p>The complaint: "They're just wrong about my writing! All editors want these days are famous names, not quality books."<br/></p><br/><p>The truth: Yes, many editors (especially those at larger houses) have to be concerned with making money for the publisher, and so rely on a certain number of established authors each year to pay the bills. But they also know they need to find new writers, because those standbys aren't going to be writing forever.<br/></p><br/><p>Sometimes it's almost impossible to interpret a rejection letter, and one or two form rejections does not mean you're a failure. Editors are people too, with personal tastes and the need to balance each list by subject matter and age group. However, several rejections in a row deserve a closer look. Are you submitting to appropriate publishers, who actually publish the kind of book you've written? Have any of the houses on your list recently published a book very similar to yours? Is your manuscript riddled with typos or grammatical errors?  If you cherished this article so you would like to acquire more info about <a href="Link URL>berita hari ini</a> i implore you to visit our own site. Even though a copy editor will fix these before the book's published, sloppy presentation can give an editor reason to reject a manuscript when she's got 50 others sitting on her desk waiting for her attention.<br/></p><br/><p>In most cases, though, it's the writing that gets the manuscript rejected. And since it's the editor's job to recognize good writing and help those authors make their books even better, there is a chance (admit it!) that the rejection is deserved. How can you tell? First of all, if you get personal comments about your manuscript in the rejection letter, take those to heart. Play devil's advocate and assume the editor's right, and see if those changes improve the work. Secondly, get objective input. Join a writer's group, get a professional manuscript critique, or pay for a personal critique session at a writer's conference (most Society of Children's Book Writers & Illustrators workshops--www.scbwi.org--have optional one-on-one critiques). Take writing classes, read books on writing. Do whatever you can to learn how to judge your work and make it better.<br/></p><br/><p>The complaint: "Publishers aren't interested in publishing books that will help kids."<br/></p><br/><p>The truth: Whoa! If children's book publishers didn't produce books that benefit kids, they'd go out of business in a heartbeat. Of course, we can all walk into a book store and find books that aren't worth the paper they're printed on, but that's true of any product. (Have you ever bought a T-shirt that disintegrated in the first wash, or a DVD player that self-destructed in a week?) I'm not saying that's a good thing, but our society seems to tolerate a certain amount of drivel in the marketplace. However, all publishers prefer commercially-appealing books that also have substance. This complaint consistently comes from writers whose goal is to "help kids," or teach them how to grow into solid, caring citizens through their books. This is admirable and even desirable, but very often the message is heavy-handed and preachy. The message smothers the story, and the book ends up sounded like a lecture. It's simply not good writing. Try reading several popular books wit h a message embedded in the plot (ask a teacher or librarian for  dewan recommendations) and work on the writing-improvement suggestions above.<br/></p><br/><p>The complaint: "I'm disabled/poor/have had a hard life and want to share my story, but no one will listen."<br/></p><br/><p>The truth: I imagine it's difficult for an editor to reject a manuscript that comes from someone who has struggled with adversity and is still determined to follow their lifelong dream of becoming a published author. The tough circumstances themselves don't work against the writer (very often they contribute to powerful stories) but an author's unique situation cannot outweigh less-than-stellar writing. What's on the page is what matters the most. If your story is too personal (it's about your life as an adult, or you haven't extracted the universal feelings and crafted them into a story that will be relevant to a wide audience), the book simply won't sell in the children's market. Again, learn what makes a quality children's book and get objective feedback on your manuscript. Remember, no one owes you a publishing credit just because you took the time to write a book. Writing is hard work, and requires self-education, practice, and persistence. There's no shame in p utting aside a manuscript that simply won't sell and writing something new. Every published author has a drawer full of those, and enough rejection letters to wallpaper an office. So join the club– it's worth the price of membership.<br/></p>

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Warren

<p>Title: <br/>WRITING A BETTER STORY<br/></p><br/><p>Word Count:<br/>583<br/></p><br/><p>Summary:<br/>Follow these tips for organizing and writing your next story. Organizing well will make you more productive and give you a better chance at success.<br/></p><br/><br/><p>Keywords:<br/>writing, success in writing, writing success, writing organization, organized writing, better writing, learn to write, learn to write well, good writing, improve your writing<br/></p><br/><br/><p>Article Body:<br/>Check below for hints and suggestions on how to organize your writing and make it a better read for your audience.<br/></p><br/><p>Story Summary.<br/><br/></p><br/><p>State in one or two sentences the kernel of your book, story, or blog.  Do not exceed thirty words total.<br/></p><br/><p>Outline Structure.<br/><br/></p><br/><p>Provide yourself with a rough outline of the story’s structure as you see it now.  This would include story arcs (beginning, rise, climax), character introductions, main themes, pivotal events, key information, plot points intended to maintain tension, etc.<br/><br/></p><br/><p>In the beginning this doesn’t need to be extensive, but have it set aside to refer to, and flesh it out as important points occur to you.  After you have a good outline to work with, you can use it like a map.  Try to avoid adding ideas on small slips of paper.  Instead, incorporate them into your outline.  If you’re not sure where they go, guess, and mark them with an asterisk as a reminder to review them later.<br/></p><br/><p>Character Traits/Development Log.<br/><br/></p><br/><p>List the vital statistics of your characters, leaving room to flesh out the information.  As you think of back-story for them, traits, thoughts, etc., list them here.  If you cherished this article and you simply would like to obtain more info with regards to <a href="Link URL>donal trump</a> i implore you to visit the webpage. If they are main characters in a long piece, consider setting up separate documents for them, or even databases.  Chart a time line for your characters as you go, noting development (growth or decline), change, conflict, back story, relationships with other characters, etc.  These thoughts should work in tandem with the outline you are developing.  REMEMBER,  komersial MOST CHARACTER DEVELOPMENT SHOULD BE MADE THROUGH DIALOGUE.  THIS IS THE MOST RELIABLE WAY TO CREATE VIVID CHARACTERS THAT THE READER WILL RECOGNIZE.  A READER WILL OVERWHELMINGLY BELIEVE A SPOKEN CLUE TO CHARACTER OVER AN EXPOSITORY ONE.<br/></p><br/><p>Note:  Characters can and probably need to be witty, but biting wit creates unsympathetic characters and the protagonist should not be unsympathetic.  There are exceptions, but the rule is to keep your protagonist likeable.<br/></p><br/><p>Exposition<br/><br/></p><br/><p>Use this as a device to increase tension and  berita augment the dramatic tone of your work.  Be careful to limit self-indulgent wallowing or too much repetition.  Topics could include goals, plans, fears, and dreams.  Exposition shouldn’t be long-winded, and should have variety.  Build on previous revelations, and vary short and long sentences to give your exposition rhythm and punch.<br/></p><br/><p>Remember, when readers get tired or bored, this is the stuff they skip.  Make your exposition as readable as possible.  If you’re going to lose someone, this is probably where it will happen.<br/></p><br/><p>Conflict<br/><br/></p><br/><p>Stories are about conflict.  Conflict is an essential element of fiction.  In your writing there should always be at least two things in your story that are sources of conflict.  There should be one conflict which follows through the whole story and is only resolved at the end.<br/><br/></p><br/><p>Secondary conflicts are necessary because they propel the reader through <a href="Link URL>slower sections</a> of the story and maintain tension and momentum.  You should structure your work to include secondary conflicts where they will keep your writing moving at a pace that will make the reader keep the book in his hand.  Try diagramming the story by conflict to see where the gaps are.<br/></p><br/><p>Have Fun<br/></p><br/><p>If you’re having fun writing, your reader will know it.  One of the easiest things you can do to improve your writing is to enjoy it.  Whatever your level of skill, you’re creating something.  The more enthusiasm you have for the process, the better the end product will be.<br/></p>

Ludie Bath

<p>Title: <br/>How to Act on a First Date<br/></p><br/><p>Word Count:<br/>587<br/></p><br/><p>Summary:<br/>Usually by the time you have a first date you have either already meet someplace, or have at least talked on the telephone or over the internet, and there should at least be some amount of interest in each other or why would you have agreed to the date in the first place.<br/></p><br/><br/><p>Keywords:<br/>Gambling, casinos gambling, casino games, poker, arts and entertainment, sports and leisure, casios<br/></p><br/><br/><p>Article Body:<br/>The key to a successful first date is to relax and just be the real you. If you try to act in a way that you think the other person will like, then they may start liking someone who you are not, and in the end you will wind up breaking up and getting hurt, so honest truly is the best policy, and in the end if you are just being you and it does not work you, you know they were not the one for you.<br/></p><br/><p>Dating is like gambling at poker, sure a good bluff may win you a hand or two but you are not going to win the World Series of Poker by bluffing, only by playing the best you can. This is no different from dating if you make things up to try and impress this person they are not liking you but are liking the fake you  and  investasi eventually they will see the two are no the same.<br/></p><br/><p> Try to think back to the things you talked about when the both of you spoke on the phone and see if you learned anything that may help you decide where to go for your date, but if you do not have enough information about them to know what they may like you sometimes have to gamble and  informasi throw the dice, and hope you don’t crap out.<br/></p><br/><p>The most important thing to do on a first date is to have a good time, the bigger a deal you make of it the harder it is going to be and the higher the chances of you making a jerk of yourself. If you are nervous before the date take a few minutes and take a few deep breaths and if this does not help then I recommend you do what I like to do in the casinos when my nerves are bothering me I simply have a drink. The alcohol in one drink will usually calm me down enough to concentrate.<br/></p><br/><p>The key to having a nice first date is simple:<br/></p><br/><p>Take her/ him to a nice place, quite but not too quiet, you should be able to hear each other but other distractions are also good for those uncomfortable moments.<br/></p><br/><p>Do not take her/ him to a place where your friends hang out, this will make her/ him feel as if they are being ganged up on or they may feel out of place and resent you for making them feel that way.<br/></p><br/><p>It is very important to have the whole night planned out already before the date and have a backup idea just incase. The tricky part is making it look like it was not all planned.  If you liked this article and you would such as to receive even more details relating to dewan (<a href="Link URL>avtoglushak.com</a>) kindly go to the <a href="Link URL>web-site</a>. Let's say you decide that you are going to take her for dinner, then after you want to take a walk on the beach do not just say hey after dinner let's take a walk on the beach. I would recommend you wait till after dinner and ask her if she wants to take a walk to burn off dinner and then take her to the beach.<br/></p><br/><p>Then when you are on the beach take her/his hand while walking, this makes a physical connection between you and makes it easier later on when you go for your first kiss.<br/></p><br/><p>Just remember that dating is a gambling sometimes you are going to get a bad hand and eventually if you play your cards right you will find the right person and win the jackpot.<br/></p>

Bryce

<p>Title: <br/>The Benefits of Writing Articles<br/></p><a href="Link URL><img src="Link URL></a><br/><p>Word Count:<br/>535<br/></p><br/><p>Summary:<br/>You have a business; you are new and want to build a client list.<br/>However, the public doesn't know much about you. One of the best ways to build the relations, credibility and  stroke to help get people to know more about you and your area of expertise is to write articles. People are always looking for good articles for their websites, blogs and newsletters. The important words here are good and content. Just understand the dangers.<br/></p><br/><br/><p>Keywords:<br/>CommunicationTraining,Articles,Articledirectories,Writing,Misunderstanding,Communication,Credibility,Language,Newsletters,Recommendations,OvercomingBarriers,<br/></p><br/><br/><p>Article Body:<br/>You have a business; you are new and want to build a client list. However, the public doesn't know much about you.<br/></p><br/><p>One of the best ways to build the relations, credibility and to help get people to know more about you and your area of expertise is to write articles. People are always looking for good articles for their websites, blogs and newsletters. The important words here are good and content.<br/></p><br/><p>Good articles are content rich. The help the reader understand that which you are writing about. It gives them insight, whether it is about Business, Communication, Health or any number of subjects.<br/>When you provide an article for your reader, whether you wrote it or published it, you are doing your clients a service by educating them in the areas that they wish to learn. Moreover, your credibility can be built or diminished by the article.<br/>Articles also help to keep your website updated and helped to increase your search engine ratings.<br/>Stagnate websites that never change, get a much lower rating with Google. As well, do not encourage your audience to come back. They are thinking, ok, I saw it.<br/></p><br/><p><b>A summary of the benefits are:</b><br/><ul><br/>For the author, they:<br/></p><br/><p><li>Increased Exposure<br/><li>Give Credibility (You show your expertise)<br/><li>Develop Relations (People get to know you better)<br/><li>Create links to your site<br/><li>Give you free Publicity</li><br/></p><br/><br/><p>For the Publisher or Website Owner, it provides:<br/></p><br/><p><li>Content<br/><li>Related Articles that you don’t have to write<br/><li>Reference and information that you don’t have to write <br/><li>A vast resource of free information</li><br/></p><br/><p></ul><br/>However, it is important to remember that there can be a downside. Of which you can avoid, once you understand what it is.<br/></p><br/><p>There is nothing worse than reading an article that is nothing more than a sales letter, a news release or an inflated glorified piece on how wonderful you are. You need to give the public something that they can use. <br/>Then they are much more likely to follow your link in your resource box, back to your site to find out more about you.<br/></p><br/><p>Remember, that in each article, you are communication something about you. You want the message that be one that encourages people to want to get to know you better, to learn more about you know and to become one of your clients or subscribers.<br/></p><br/><p>In your resource box, make sure you are clear, stating who you are and where they can find out more about you. <br/>Most article directories and magazines have set limits on the size and amount of information you can place so it is important to ensure it is accurate and inviting. You are not writing articles just for praise and admiration.  Should you have just about any queries concerning in which as well as the way to employ <a href="Link URL>permainan online</a>,  grafomotrikitas it is possible to contact us at the internet site. You do have a business to run and bills to pay. Even if you are a millionaire and want to write just for the shear joy of it and love to teach for free, your resource box is still important, as you would want the readers to know that the information came from a credible source.<br/></p><br/><p>So go ahead and get started. Don't stop at one article, it can easily become buried..  Make it a habit and write them regularly whether it is once a week or once a month.  And remember, have fun doing them.<br/></p><br/><p><center><b>"To Master Communication<br/>is to Master Wealth"</b></center><br/></p>
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